Susan’s Inside Writing: I have a confession to make
Originally, Trevor’s Song was supposed to be the follow-up book to the story of Mitchell, Kerri, and Kerri’s mother. It was supposed to tell the story of ShapeShifter’s dead bass player. The hows, the whys … all that fun stuff.
But then I woke up one day and realized that Trevor’s Song is really the better story. That I’m still floundering with the story of Kerri’s mother; it’s not right. Yet. So shopping commenced and by last May — yeah, a few short months ago — I realized that the problem I’m having with selling Trevor’s Song isn’t the writing or the story or anything of the sort. It’s that it’s hard to sell a book about a rock star. It’s hard to sell a book about a dude with cancer.
Put them together and it ain’t like what you get when chocolate and peanut butter taste great together.
At about this time, some of you devoted groupies started to really fall hard for Trevor Wolff. You guys love the man.
And I began to feel guilty. Because, after all, I know how the book ends. It ain’t pretty. And you guys won’t like it. The more Rhian fights the whole world for her shot at Trevor, the worse I’ve been feeling.
Thunder and lightning have been themes for me this summer, and today, lightning struck in the form of Lisa Andel, who is probably floored by the ease with which I took what was a very bold, critical statement and found paydirt. All those years of writers’ workshops in undergrad and MFA programs do pay off in the long run, boys and girls. They teach you how to stare down an ugly truth and turn it into something beautiful.
So… the post I had edited for later today will have to wait a few while you digest this news and try to figure out what I’m up to. Booking Through Thursday, which I was going to have a lot of fun with this week, will have to wait for another day and another topic.
Right now, I’ve got a book to revise. And an ending that’ll make Rhian just that much happier.
Maybe.
I mean, there’s still this girl named Heather for her to consider…









