Lazy Dazy: All About Language #atozchallenge

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Well, not ALL about language, or we’d be here through the next couple of A to Z Challenges, and this puppy only happens once a year.

Today, we’re going to focus on lazy language. On what happens when you slap words on a page and don’t think much of it.

Honestly? Not much. I’m one of the few who will call a person out for using lazy language, and certainly, my clients come to me for a line or content edit hoping I’ll do exactly that. So, you know, since you’re paying me, I’m more than glad to…

Seriously. This is actually one of my newest and biggest pet peeves. It’s a certain construction: to where, from where — it makes me scream.

It’s lazy.

Pure and simple. It’s lazy.

And you, as an author, can do so much better.

Like this: She walked to where he waited near the water fountain.

Seriously. I see this stuff all the time, not only from my clients (who often wind up having it challenged out of them) but from books I read for pleasure. Not a lot of pleasure when it’s the same as dragging fingernails down a chalkboard.

Try this instead: He was waiting near the water fountain. She joined him.
Or even: She joined him at the water fountain.

(Whoa! I got rid of another poor language choice: she walked— that’s one that you can usually let your reader infer for themselves. Believe it or not, they will.)

He looked near where the sailboats sat. Beside them was where the mugging had taken place.

How about: He gazed across the marina. Right there. Beside the sailboats. The mugging had taken place right there.

And look at that: snappier language. Better cadence. You know that spot’s important, and that those pesky sailboats were somehow important and we’ll be hearing from them again. Do you get all that from the first example?

That’s why I call this lazy. Sure, we talk that way. Even I do, and I have no issues admitting it.

But speech and writing are different creatures, and it’s worth going that extra mile to get rid of the lazy stuff and replace it with something smarter, more precise, snappier. Not to say that it always has to be snappier, but it should always be more precise. After all, you only have so many words to work with, even when you’re going to self-publish and that means the word count is 100% up to you.

It’s a question of bloat. Of making your language work for you, not against you (which bloated language does).

So before you send me your manuscript, take a few minutes. Do a search for to where, near where, from where. See if you can change them.*

If not, be prepared for an awful lot of comments.

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*Sometimes, you need the to where, near where, from where construction. SOMEtimes. Not all the time. Not on every page (Best-selling romance author, I’m looking at you). SOME is fine. Usually.

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2 Comments

  1. Sandra Ulbrich Almazan

    April 15, 2017 4:52 pm

    I don’t use that construction, but I indulge in filler words when drafting. Then I slash them. (And yes, I revised this comment to replace lazy language with stronger verbs!)

    Sandra Ulbrich Almazan, Science Fiction/Fantasy Author

  2. Dana Griffin

    April 17, 2017 9:51 am

    From where I sit, to where I’m going, I sorta kinda thought this was a pretty good post. Although, there is the case to be made, maybe, for writing that meanders along like a shallow stream from where all pointless words seem to flow from.

    Yes, I had a blast writing this response.

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