I’m talking about a few words that really crank my editor’s red pen. Join me at the #amwriting blog to see what those words are, and how many of them you like to use!
Apr 022013
Jan 172013
Since I’ve spent the past few months being booked out a couple of months, it seems it’s time to be a little more exclusive…
That’s a polite way to say my editing rates are going up.
For projects BOOKED after March 1, the rates will look like this:
Content editing (looking at plot, pacing, characterization, tension; etc. The big picture)
$.011 (or, $2.75 per 250 words)
Line editing (looking at your language and your sentences. Do they match the voice? How’s your word choice? Can you reword something for better meaning?)
$.008 (or, $2 per 250 words)
Proofreading/copy editing (sticking straight to mechanics — are words used correctly? How’s the punctuation?)
$.005 (or, $1.25 per 250 words)
As always, booking me for a content edit will give me the freedom to work on line editing and proof work — although as always, if you make revisions I haven’t seen (and you should!), look into having a final proofread right before you hit that submit button. Be that for an agent, an acquiring editor, or on the self-published side. Strive to put your best out there — and remember I’m here to help you get there.
Dec 182012
As the holidays ramp up or come to a close, if you’re celebrating Hanukkah like me, it’s been a whirlwind around here.
The good news? The editing calendar only has 4 days left in February: three in the middle of the month, and one at the end. March and April dates are ready to be booked.
Take a step back and breathe with me. And get ready… things are going to ramp up even more in 2013. You may not see it until about a year from now, but hang tight. You’ll love what I’m working on.
So. That brings us to today’s worthwhile content, which turns out to be a redirect, over to Animal Friends. I’ve swapped foster kitties, so go check it out. I love the picture of Zenji; I took that one. The shot of Geronimo was taken by The Girl Band. Not bad work for a kid her age, huh?
Nov 212012
Actually, behind the scenes around here, things have been a ruckus.
It seems that there’s a million debut authors out there, and each of them want their book proofed so they can have a pre-Christmas release.
I’m only one woman, folks! I hope some of these authors will find their way back to me and we can work together in the future. Turning work away isn’t my idea of a smart move — even though it’s one I’m grateful to have to do. In just over a year, you guys have helped me build this little editing business into something viable.
Now, here’s where I go all controversial on you. I don’t get the rush for debut authors to put out pre-Christmas releases.
In talking to many of my author clients and author friends, everyone agrees: if they give books as gifts, they’re not giving unknown titles and authors. Think about it… your reputation is on the line when you give a book as a gift, after all. Readers want to share what you’ve already loved, not something that you picked up ’cause you needed to give a gift. In other words: books should be gifts as personal as the most heartfelt noodle necklace from a two-year-old. Those kids put love into every last piece of pasta…
Adding to the mix are the comments that the kids who get new e-readers or tablets mess up the search algorhythms, making most books hard to find. Authors who have noticed a sales dip in January — everyone agrees that February and March are when sales pick up again.
In short, it’s hard for ANYone to get noticed this time of year. So why not wait, schedule dates in late December or early January, and aim for that February or March release? Why not take it as a cooling-off period, start something new, start researching reviewers and publicity options? Go ahead, start networking. “Well, I’m waiting for my amazing editor to get through her other projects and work on mine. So while we wait, let’s talk about you or books we’ve both read, or, hey, got any ideas for a great dinner recipe?”
But, then, I believe that waiting for a good editor, being smart enough to let someone else help you shape your baby, is worth bragging about. I believe it gives you clout and a measure of professionalism. Mostly, though, it shows that you so care much about your book and your potential success that you’re willing to go the extra mile to make sure your reader has the best experience possible. It shows that you want to be a gift next year at Christmas, a book someone liked enough to do more than recommend: they liked it enough to GIFT it.
Authors, take your time with your books. Instead of trying to time the market, remember you’re in this for the long haul. The prize your eye should be on is sales. Lots of sales, over a long period of time. Your prize ought to be readers who are so loyal to you that come next Christmas, it’s your book they are putting under that tree.
I’ve got dates open at the end of December and all of January (and beyond). Care about your book. If you don’t have me edit it, have someone else. Someone good. (Because, really, what’s the point of using someone bad? All you’re doing is throwing money away — twice, as you’ll need to have someone good fix all the bad! You’re not made of money. Choose your editor wisely)
Happy Thanksgiving, folks. This year, I’m giving thanks for all my awesome authors and the strength of West of Mars Editing.
Jul 242012
One of my clients, Kenya Wright, has been posting a series of Q&As with editors — me and two others who she has worked with.
Stop in and check it out. She’s giving away a 20-page edit, but not from me.
If you want to work with me as your editor, you’d better hustle. My rates go up to new clients as of August 1, and I’m currently booking dates in late October, November, and December. Better get a move on!