Anyone catch that lyric there in the headline?
Come join me over at Louise Harby’s blog, where I’m talking about life as a freelance editor.
No foster kitties this time, I’m afraid. They’ll be back.
Anyone catch that lyric there in the headline?
Come join me over at Louise Harby’s blog, where I’m talking about life as a freelance editor.
No foster kitties this time, I’m afraid. They’ll be back.
Deena at E-Book Builders asked me to write her a short guest post about the importance of editing.
Check it out. Add your comments as to why I’m important in your life at the end, if you like.
Since I’ve spent the past few months being booked out a couple of months, it seems it’s time to be a little more exclusive…
That’s a polite way to say my editing rates are going up.
For projects BOOKED after March 1, the rates will look like this:
Content editing (looking at plot, pacing, characterization, tension; etc. The big picture)
$.011 (or, $2.75 per 250 words)
Line editing (looking at your language and your sentences. Do they match the voice? How’s your word choice? Can you reword something for better meaning?)
$.008 (or, $2 per 250 words)
Proofreading/copy editing (sticking straight to mechanics — are words used correctly? How’s the punctuation?)
$.005 (or, $1.25 per 250 words)
As always, booking me for a content edit will give me the freedom to work on line editing and proof work — although as always, if you make revisions I haven’t seen (and you should!), look into having a final proofread right before you hit that submit button. Be that for an agent, an acquiring editor, or on the self-published side. Strive to put your best out there — and remember I’m here to help you get there.
Actually, behind the scenes around here, things have been a ruckus.
It seems that there’s a million debut authors out there, and each of them want their book proofed so they can have a pre-Christmas release.
I’m only one woman, folks! I hope some of these authors will find their way back to me and we can work together in the future. Turning work away isn’t my idea of a smart move — even though it’s one I’m grateful to have to do. In just over a year, you guys have helped me build this little editing business into something viable.
Now, here’s where I go all controversial on you. I don’t get the rush for debut authors to put out pre-Christmas releases.
In talking to many of my author clients and author friends, everyone agrees: if they give books as gifts, they’re not giving unknown titles and authors. Think about it… your reputation is on the line when you give a book as a gift, after all. Readers want to share what you’ve already loved, not something that you picked up ’cause you needed to give a gift. In other words: books should be gifts as personal as the most heartfelt noodle necklace from a two-year-old. Those kids put love into every last piece of pasta…
Adding to the mix are the comments that the kids who get new e-readers or tablets mess up the search algorhythms, making most books hard to find. Authors who have noticed a sales dip in January — everyone agrees that February and March are when sales pick up again.
In short, it’s hard for ANYone to get noticed this time of year. So why not wait, schedule dates in late December or early January, and aim for that February or March release? Why not take it as a cooling-off period, start something new, start researching reviewers and publicity options? Go ahead, start networking. “Well, I’m waiting for my amazing editor to get through her other projects and work on mine. So while we wait, let’s talk about you or books we’ve both read, or, hey, got any ideas for a great dinner recipe?”
But, then, I believe that waiting for a good editor, being smart enough to let someone else help you shape your baby, is worth bragging about. I believe it gives you clout and a measure of professionalism. Mostly, though, it shows that you so care much about your book and your potential success that you’re willing to go the extra mile to make sure your reader has the best experience possible. It shows that you want to be a gift next year at Christmas, a book someone liked enough to do more than recommend: they liked it enough to GIFT it.
Authors, take your time with your books. Instead of trying to time the market, remember you’re in this for the long haul. The prize your eye should be on is sales. Lots of sales, over a long period of time. Your prize ought to be readers who are so loyal to you that come next Christmas, it’s your book they are putting under that tree.
I’ve got dates open at the end of December and all of January (and beyond). Care about your book. If you don’t have me edit it, have someone else. Someone good. (Because, really, what’s the point of using someone bad? All you’re doing is throwing money away — twice, as you’ll need to have someone good fix all the bad! You’re not made of money. Choose your editor wisely)
Happy Thanksgiving, folks. This year, I’m giving thanks for all my awesome authors and the strength of West of Mars Editing.
Following on the tails of last week’s semi-rant about how easy it is for anyone to get the wrong idea about the quality of self-published books, I got a new assignment from TWTBC.
My eyes bugged. My jaw dropped open.
The book is only 150 pages or so, barely long enough to call a novel.
The only commas are there so you can accuse the author of comma splices, rending most sentences unreadable on the first try.
The paragraphing is bad — there’s dialogue and then, instead of a new paragraph, there’s narration. Right after the dialogue. Except, the narration and action (usually someone shrugging or sighing) is attributed to the next speaker.
So it goes like this.
“Whaddya think?” Trevor sighed.
“You know thinking’s bad for your health, dumbass. Quit bothering me.” Mitchell giggled.
“What makes you think you’re always right?” Trevor shrugged.
It SHOULD read:
“Whaddya think?”
Trevor sighed. “You know thinking’s bad for your health, dumbass. Quit bothering me.”
Mitchell giggled. “What makes you think you’re always right?”
Trevor shrugged.
Did you notice that the characters aren’t particularly nice to each other? There are also a couple of adverbs that describe how EVERYTHING happens. Thoughtfully. Carelessly. Okay, those aren’t the real ones, but imagine if they were, and used in the wrong spots, too. Actions completed thoughtfully, during a fight scene? (Not to mention, in the above example, Mitchell giggling. First of all, it’s out of character. Second of all, it’s not appropriate for the scene.)
And yes, there is MORE. On the one hand, I feel terrible for the author. S/he’s got his/her name associated with this hot mess of a book. On that same hand, I wish I could edit it for him/her. But on that other hand… I’m glad I didn’t. A hot mess this bad would have cost way more than the book review eventually did. And while I know I’m a really good editor, I also know that one can only do so much with what you’re given. For all I know, the author DID hire an editor, and then refused to listen to what s/he had to say. In a year since I returned to editing, I’ve had that happen. (The client didn’t pay the full bill in the end, either. Go figure.)
This is one I can’t wait to be done with. And sadly, when people want a poster child for what’s wrong with self-publishing, it’s this book they’ll turn to. It’s so much easier to be negative in today’s world, after all, and overlook the good stuff… and let me say it again: there is PLENTY of good stuff out there.
I think I’m going to start featuring it. Once I finish this hot mess.
(If you’re new here and don’t know who Trevor and Mitchell are, well… shame on you! But use this link to learn everything you need to. Welcome to the Trevolution.
**Thanks to my own impromptu editor, Robin at Around the Island, for catching a rare Susan typo!