Tag Archives: active voice

Says The Editor: Something Sounded

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Graphic of a crossed sword and a pencilEver been reading along, happy as anything, and suddenly A knock sounded at the door?

Ugh. I can’t tell you how badly I hate that phrase.

First, it’s not even a word, sounded. Not really. Sure, if you go over to Webster’s and search for it, you’ll be taken over to the word sound, which includes it as a form under its verb forms. But notice something? There are no examples of it in use. This is because while they recognize that people use it, all the examples are problematic. There’s no good way to showcase this word, sounded. Maybe She sounded scared — but that’s an entirely different use of the word, isn’t it?

Here are some to look at. The first one is the perfect example of today’s rant. The others are legit uses of the word.

And here’s why I hate it so badly. The knock sounded at the door is passive as anything. Like… super-duper passive.

Because knocks don’t just happen. In the example I linked to, alarms won’t just magically be sounded. You’re not just sitting there and bam, a knock appears out of the blue or an alarm magically goes off. Oh, maybe that’s how it sounds since you’re on the other side of the door and all you hear is the knock. But something, someONE makes that knock happen. SomeONE sets that alarm. It’s an active, planned action, not a passive one. In order for your character to hear that sound, a series of events had to take place. That’s all action. It may happen off the page, but it still happens.

And how many of you have been taught to use the active voice, not passive, when writing?

Yeah. Do that here.

No more knocks, explosions, voices sounded. Take the time. Write in active voice.

Your mastery of craft will thank you.

Remember, I’m always taking new clients. First-time authors, please have gone though a critique group or partner before a round of beta reads. Learn as much as you can about your craft; this lets your editing budget stretch further and benefit you more deeply.

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