This week’s Three Word Wednesday and #FridayFlash combines with my new Kerri’s Diary series. This piece, obviously, is set during Trevor’s Song. As we get closer to the release of King Trevor, the newest book in the Trevolution, you’ll be reading more snippets from Kerri’s Diary. Hope you’ll join me for the ride — and pick up the books, while you’re at it.

After all these months, it finally happened.

I got to see ShapeShifter play live. A real, live concert. Not a practice, not a warm-up show in a mostly-empty arena. A concert.

Mitchell was right. I didn’t get it until I experienced it.

Amateur that I was, Eric told me I had to go down into the crowd and watch that way. Right down there, at the barrier, he said. He found a member of the local security team to put me in place and stay with me, to make sure I wouldn’t get trampled. I laughed, but it turns out, Eric was right. I needed the guard’s diligent ways; ShapeShifter fans are rough. It’s not that they mosh so much as they almost have this need to get up in the band’s face and touch them and be close to them, especially Mitchell. He’s more than just the guy in front, as he calls himself. He’s electric up there, magnetic. He’s calling people to him, and I doubt he even realizes what he’s doing.

I watched big, beefy guys get hauled over the barrier, red-faced and gasping for breath. Girls who looked like they were about to pass out, who’d immediately burst into tears at where they found themselves. So close to the band and yet being shown the way to someplace that’d only move them farther from their heroes. They’d get yanked free, and there’d be six more people cramming into that space they’d just come out of.

The crush was incredible. And there were only eighteen thousand total fans in the arena. The security guy said he’s been on the road with bands who’ve played in front of fifty or sixty thousand. This, he said, was nothing. When you get numbers like that, the floor’s packed. People can—and sometimes do—get trampled.

I believe him. And … I don’t. It’s just too hard to get your brain around. I’ll admit it here since I can’t admit it anywhere else, but at times, I was scared.

I spent the rest of the night drawing, and yet I couldn’t draw anything. I was too busy watching, taking it all in. This was my first experience with the whole spectacle: the hurry-up-and-wait once you get to the venue, the interviews, the pre-show, the after-show, the fans, the media types, the label people. And the groupies. Oh, yeah. Don’t forget the groupies. They hate me already and half of them don’t even realize the woman standing in the band’s shadows is the wife. They hate the very concept of me. I’ve taken Mitchell from them.

Eric said the thing to do is get to know a few. I’ll know which ones, he promised. Nurture a friendship with them, he said. Let their influence pave the way. I’m betting he’s right.

Mitchell said that after tonight, I can go down into the pit, the area between the stage and the barrier, and watch from there. He said Eric was right: my first time had to be done right.

Then he winked, the horny bastard.

One final plug: if you like serial fiction, be sure to stop in at Alice Audrey’s spot on the Net for us Serialists. Read a few, add your own… it’s all good.

Author’s Note: This Three Word Wednesday post is part of the Trevolution. It has no spoilers for Trevor’s Song, and fits right into any of the Demo Tapes anthologies. If you’re new to the Trevolution, what are you waiting for?

Trevor yawned. It was big enough that the entire floor could see his tonsils, but who fucking cared? This show was lame. Lamest they’d ever done.

Figured there were fifty thousand people in the joint — or there would be by the time Sammy Spencer hit the stage with the latest version of his backup band. No one could take the place of Scarred Heart. And no one cared about who he picked as the first opener for his shows, either.

“Man, we’re fucking up tonight,” Mitchell said between songs. Trevor wasn’t even sure which songs they were between. Everything they played sounded bad. Mitchell, their awesome frontman all the girls dug, was coming off as some dull-assed jerk.

“Man, we sure are!” Trevor shot back with the brightest, fakest voice. Like he was some fucking cheerleader or something. Wouldn’t that be a hoot. As if there were people out there who thought Trevor Wolff wouldn’t put the skirt on. It would be way more fun to get it off the cheerleader he’d steal it from but…

“What?” he asked when Mitchell flicked his ear.

“Quit being an asshole. We’re all in this together. We gotta get out of it together.”

Trevor jerked his chin at Eric. “Been talking to Soul Boy, there, again?”

“Doesn’t matter,” Mitchell said. “We’ve got three songs left and we can let these people think we suck or we can show ’em we’re here for the long haul.”

“I think we ought to race through ’em as fast as we can and go hide out backstage until everyone’s gone,” Trevor said. He nodded and crossed his arms over his chest. His bass bobbed without a hand to steady it.

It was Mitchell who put a hand on it. Mitchell who told him to suck it up. And it was Eric and Daniel who agreed. They’d salvage this show, or they’d die trying.

Dying sounded like the better option to Trevor, but he was smart enough to own up to when he was outvoted. He’d play harder, run around faster, something so Mitchell wouldn’t beat him up later and accuse him of a lack of effort.

As if on cue, Mitchell, Eric, and Trevor turned back to the audience. Trevor watched Mitchell take a deep breath, as if getting ready to turn on the jets and wow these bored people.

Trevor figured he’d let Mitchell do that. In the meantime, Trevor himself would scope out the audience. Maybe a cheerleader had shown up, ready to be charmed out of her skirt.

He could hope.

An idea inspired by a recent fictional piece wound up being a perfect fit for this week’s Three Word Wednesday prompt. Although Hammerhead appears in Trevor’s Song for a quick moment, I’ve been eager to do more with these raunchy, randy men for years now. I’m glad to have the chance.

Howard the Hammer, leading man of up and coming rock band Hammerhead, needed some positive attention for his band. Lately, all anyone had been talking about was their backstage antics.

They were great fun and worth talking about, but there was way more to Hammerhead than debauchery. There was, for instance, what happened on the stage. None of the backstage fun would ever happen if there wasn’t anything up front to get people’s attention.

Howard chuckled. Yep, that sounded like Hammerhead, all right. Backstage, up front. All they needed was a girl, and they’d be living large.

If management wasn’t all over him to clean up their image, he’d have done more with the front/back idea. Found a girl willing to model how much fun it was up front, and how good the backstage was. After all, that sort of thing was the essence of Hammerhead.

The band had hardly been named for the shark.

“Be practical,” Howard muttered to himself. “Focus on the music. Focus on the show. Stick to performing. That’s all we gotta do, right?”

No one answered. Not that Howard had expected anyone to; it was hard to get an answer from an empty room. The rest of the guys knew better than to walk in on him when he was thinking. He needed space and time to think. And no interruptions. They’d learned; they gave him everything he needed.

Howard was the gravy train. Without Howard, there’d be no Hammerhead. He’d earned some space to do his thinking in.

Still, doing a show without any theatrics seemed… wrong somehow. To make matters worse, Howard had read an article about a show ShapeShifter had done once, way back when they were getting started. Trevor had riled everyone up by sticking a pair of pasties on his t-shirt.

It was like a dare. The kind Howard couldn’t walk away from. Trevor had pulled that one night when no one had been around to see.

Hammerhead was going to stand up in front of five thousand people in a few hours. Five thousand people who would, to the last man, see rhinestone-encrusted pasties nestled in there with his chest hair. He wouldn’t even need to say anything. The people who knew the ShapeShifter story would get it. The Hammerhead fans would figure it was nothing out of the ordinary, just another thing Howard the Hammer was doing. Anyone else could lick ’em off.

Howard pulled off his shirt and looked down at himself. Would these things he’d bought even fit over his pierced nipple?

He jumped at a knock at the door. It was his drummer, Stunning Stan. “Howard? It safe to come in yet? We’re standing out here like losers and, dude, I gotta take a piss like you would not believe.”

“Yeah, come on in,” Howard said with a sigh. It was a calculated risk. Management had been clear: if they didn’t get some positive attention soon, they’d be clearing out. Hammerhead would need a new manager. But playing it completely straight and narrow didn’t sit right with Howard. They were Hammerhead, for crying out loud.

“Help me out here,” he said when Stunning Stan came out of the john. Stan was the only one he’d ask for help; the other two would pull at the piercing, tell him he was being stupid, steal the pasties for themselves. Their chests were bare next to Howard’s — hell, a gorilla’s chest was bare next to Howard’s. The whole fun of this was the glitter peeking out between all this hair, teasing the girls who’d find their way backstage later on.

And even later, people would talk about this. They’d forget ShapeShifter had ever done it. It’d be Hammerhead legend.

New management might not be such a bad idea after all.

looking for other great fiction? Check out the #SundaySample prompt on Twitter — and on various book-related message boards — and the Weekend Writer’s Retreat, too! Add your links; don’t be shy.

If this is your first time visiting with Trevor and the band, welcome! This short fiction ties in to my novel, Trevor’s Song, and will appear in a future Demo Tapes anthology. You who’ve read the book may be quick enough to catch a reference to it, but don’t feel bad if you don’t. This story contains no obvious spoilers — but is the perfect reason why you’ll want to pick up one of my three books and become a proper Trevor Wolff (or Mitchell Voss) groupie.

Mitchell was, Trevor quickly noticed, too dumb or too naïve or too sheltered or too stupid, or too something to realize what had just landed at his feet. Probably all of the above; the idiot was certainly a work in progress.

Trevor, however, was none of the above. When the song ended, he gave Mitchell the old familiar nod, the one to tell the frontman to stand down for a second.

Mitchell stepped back from his microphone and crossed his arms over his chest. Waiting.

Trevor sniffed. The asshole wasn’t giving him the right sort of invitation. Really. This one deserved an introduction. It was going to be good.

But, of course, the guy was too stupid or too something to realize what those round, red pyramids were. They weren’t fucking streamers, like he was probably thinking, what with the strings hanging down from the middles of them, at the top of the peaks. They were way better.

Trevor hoped there’d still be adhesive on the backs. Usable adhesive.

He shoved his bass onto his back and knelt to pick them up. Sure enough, both were right there, waiting for him. This was too good, too perfect.

And then it got better. They hadn’t been used.

He heard a few giggles when he stood up. “These from you?” he asked, leaning out into the barrier space between the stage and the fans. It wasn’t terribly big; hell, the whole place was on the small side. Two hundred people, tops. And only about half that who’d turned out to see the band. And three girls standing there, giggling, their faces flushing with something other than the energy the band was giving off.

One of them had given him a new toy. Even if no one was stepping up to claim responsibility. Yet.

Fucking figured. Even something as simple as this, and no one had the balls — or, in this case, the tits — to own up to having done the deed. Maybe she’d reveal herself later, come up to him after the show, pull the front of her shirt aside so he could see them in action, properly attached and waiting for the sort of attention only Trevor Wolff could give them…

He straightened, feeling Mitchell watching. Eric was curious, of course, and Daniel had stood so he could see over his drums. Not that there had been anything to watch yet, but it was time…

He peeled the paper backing off the adhesive. With his best snigger, he did the same to the other paper, trying to keep both cradled in the same hand. It wasn’t easy; the tassel kept trying to drip between his fingers. Finally, he let it.

Mitchell started tapping a foot. Never a good sign. If the idiot’s face had started to turn red, Trevor didn’t know. He wasn’t looking.

Trevor turned his back on the crowd. Daniel watched as Trev put his new toys in place.

Mitchell took a step back. His eyes got huge as he realized what Trevor had found. With a shake of his head and an arm wiping across his mouth so no one would see him smile, he turned back to the crowd. “And which of you pussies helped Trevor get all dressed up tonight?”

That introduction was better, Trevor decided and turned around, his bass still slung behind him. He grinned and thrust his chest out as far as he could, then did everything he could to make the tassels spin in circles.

Fuck, Stacia made it look easy. But that’s why she was Riverview’s top stripper. And why Trevor was only a bass player.

The crowd didn’t quite roar, but they didn’t fall quiet, either. Trevor could hear some laughter, and a lot of whoops. He tried to shimmy his shoulders. He took three steps forward and four back. He looked over at where Eric should have been, except the guitarist was in the wings, his face buried in a towel and his shoulders shaking harder than Trevor’s.

Trevor tried a few more of Stacia’s moves, and then the audience let loose, howling, cat-calling, and cheering like mad. Still behind his drums, Daniel encouraged them.

It wasn’t until one of his new toys fell off his t-shirt and he fumbled at it, finally managing to catch it and stick it on his bass like a new knob that he’d had enough. Maybe it had something to do with Mitchell, who’d come over to Trevor and was motioning that he was going to pinch the pastie — and Trevor’s tit under it, too. As if Trevor had tits, being a man and all, but that was another story. If you were gonna play the part, you couldn’t bitch when someone else wanted to join in. It was always better with company.

Whatever. Trevor didn’t fucking care — so long as Mitchell didn’t squeeze too hard. He was getting a moment, thanks to stupid-head beside him here.

Or… maybe not. If the guy’d had a clue, Trevor never would have gotten this chance.

He twirled the tassel on the fallen pastie as ge stuck it to his bass and grinned. Too bad there weren’t more people here; it would take awhile for the word of this to spread.

Trevor looked back at those three girls in the front. He’d bet just about anything on one of them approaching and offering to show him the moves he’d botched so badly. Fuck, he wasn’t a stripper. He was a bass player in a rock band, for fuck’s sake. He shouldn’t have to know how to twirl a tassel.

Just so long as she did, Trevor figured they’d be set.

Daniel had been with Mitchell when the call had come in. It hadn’t taken a lot of discussion for the veto, but Daniel thought Eric and Trevor ought to know what had been suggested.

And then he’d run off to an interview, leaving Mitchell to do the dirty work. Or, as the case — of course — was, hear about it.

“It’s just not plausible,” Eric said, like he had to apologize for his opinion.

Trevor stared at him. “What the fuck? Plausible? Who cares about shit like plausible? It’s a stupid idea and you and Dans were right to say no.”

Mitchell wondered if Trevor even knew what the word meant. He’d be surprised if he didn’t; Trev was smarter than he liked to let on. But over the years, Mitchell had learned that Trev threw tantrums like this, he usually had no fucking clue what he was actually talking about. Especially because in this case, if he could understand Eric, he’d realize he agreed.

“We should absolutely care,” Eric said. “If our fans can’t trust us to be authentic–”

“Wait right there,” Trevor said, holding up a hand. He hadn’t had time to stick his cigarette into the corner of his mouth; he still held it between his thumb and index finger, like a roach. “What the fuck does authentic have to do with plausible?”

Bingo, Mitchell thought, trying to keep his face blank.

“Because,” Eric said, then stopped himself.

“That’s a fucktard of a reason,” Trevor said. He finally perched the cigarette in its place and shoved some hair out of his way. “Why not say something like it’ll taint the pool of samples, or Trev, are you going to do this willingly, or do we have to outvote you again?”

“Want us to?” Mitchell asked. It was getting harder to hold back a smile, but if he wasn’t able to, Trevor would go absolutely ballistic. Trevor’s life, after all, was all about the guy’s pride.

“No!” Trevor got up and started pacing. “I want… I want…” He froze, jerked his head up, and narrowed his eyes. “Do you fucks even care what I want?”

“Always have,” Mitchell said as Eric murmured something along the same lines.

“I want you to fucking use words I get! Is that too much to fucking ask for?”

Mitchell pretended to scrub at his face, the way he did when he got frustrated. He figured that this way, Trevor couldn’t see his surprise. Trevor had just owned up to something on his own.

That could very well mean the world was ending.

“Plausible means it’s believable. So if we’re doing something not plausible, we’re also not being authentic, which means real,” Eric said.

“Damn straight that shit’s not believable. Us, doing one of those New Year’s Eve TV shows?”

Mitchell pulled his hands away. “Unless we’re onstage that night and they cut to a live shot of us for a full song. I can see us getting away with that.”

“But not standing on some stage in the middle of fucking Times Square,” Trevor said before Mitchell could.

“I know people who’ve spent their lives dreaming of being there,” Eric said. “We’ve toured with some of them.”

“Which is why we’re on top of the world and they’re down there, still staring up at us,” Trevor said.

“You’d be surprised,” Eric said. “A lot of us grew up watching Dick Clark. It makes sense to dream about. Dick’s launched an awful lot of careers.”

“Launched? We fucking launched years ago,” Trevor sneered.

“Well,” Eric said, “try this. He can launch us into more homes faster than we may get there on our own.”

“Tell me this, Soul Boy,” Trevor said, bending down into Eric’s face. The guitarist leaned back.

Mitchell watched carefully. Trevor being this aggressive must be another sign of the Apocalypse. As if being invited to be on Dick Clark hadn’t been the first. They were adding up, fast.

“Why do we want to be in more homes, faster?” Trevor was asking.

Mitchell breathed again. So that was all Trevor wanted to know.

“So we can rule the Earth?” Eric asked, his gentle voice weak, as if Trevor being in his face was scaring him. “Remember? Doing that was your idea.”

“Yeah, but I never said we should get there this way.”

Eric shrugged. Trevor stood up and looked over at Mitchell. “What do you have to say for yourself?”

“I already did. If we’re doing a show and they cut in, fine. Otherwise, forget it.”

Trevor stopped cold, as if he hadn’t heard Mitchell say that the first time. He nodded as he thought that over. “So you’re telling me you’re willing to compromise?”

Mitchell sighed. “It’s not such a dirty word, Trev. Try it every now and then.”

“No.”

“I’ve seen them do cut-ins over the years,” Eric said. “It’s not selling out, Trev. It’s letting people join us. Think how many people have turned into ShapeShifter fans because they’ve seen us live.”

Trevor looked from Mitchell to Eric and back again. “Maybe.”

Mitchell gave Eric a quick wink. “That means okay but it kills my pride to admit it.”

Trevor snorted.

Mitchell stared in fascination. Part of him wondered if he looked like that when he snorted, nostrils flared and drops of snot flying, face totally constipated. The other part couldn’t believe Trevor Fucking Wolff had just fucking snorted. That was about as beneath him as compromise.

Of course, he’d just done that, too.

Maybe, Mitchell figured, it was the final sign of the Apocalypse. If so, there was no way in Hell he was doing Dick Clark. Fuck that. He was going to be at home, in bed with Kerri.

Just in case.

Have you missed the fiction around here? I have. I’ve got some other goodies coming up, as well, so stay tuned. This is my #FridayFlash, #SundaySnippet, and Three Word Wednesday post. I may stop writing to the prompts; I don’t know yet. I feel like they’re not as good as when I just let my brain fly on its own.

“So JR was one of those kids who went to a school that had to cut their music program. What’s the big deal?” Kerri asked later that night, once Daniel had taken the manager to his house and the rest of the band had dispersed.

“So this turned into a fucking pet project of his,” Mitchell said. “Something that’s supposed to grow and advance the cause. We’re now supposed to save every last poor kid in the States, just so they don’t wind up like him.” He hung his head and shook it gently.

Kerri knew he was watching the ends of his hair dance. Usually, it amused her. Tonight, she was too baffled by Mitchell’s violent and childish response to react properly.

“Was it supposed to be yours and no one else’s?” she asked carefully. Next, he’d start accusing her of pandering to him, which couldn’t be farther from the truth. But when he got in these moods, anything was possible.

Except violence, thankfully. Unless Trevor showed up, and then it wasn’t violence. Not really.

“It wasn’t supposed to be anything more than fun,” he insisted. “That’s it. Fun. Fun for our fans, fun for us, fun for the crew and the media and everyone. Except fucking JR had to come in and fucking ruin it for us. Move out of All Access and into the Rocket Theater. Party with the fucking drag queens–”

“Watch it.”

He snarled. She stared him down. “If it’s not fun anymore, then don’t do it,” she said.

“It’d be fun if JR would stop fucking trying to grow it! It’s supposed to be small and stupid and silly and what people want to be part of. It’s not supposed to be huge and country-wide and taking on a life of its own.”

Kerri covered her face with her hands.

“What?” Mitchell demanded.

She looked up. “The problem with creating something awesome and amazing is that it does take on a life of its own. You should be flattered.”

“It just wasn’t supposed to be like this.”

Kerri tried not to sigh too audibly. “Well, it is, so you need to deal with it.”

“No,” Mitchell said. He stood up and immediately started shuffling his feet, like he was ready to go out for a run or something.

Except, Kerri had never known Mitchell to run. Not unless he was chasing Trevor, anyway.

“When it starts hitting too close to home, like JR just made it do, the fun disappears. It turns into the same stupid sort of responsibility that the entire fucking band turned into. Every time we turn around, we owe people shit. And now we owe JR ’cause his life would have been so fucking different if he’d only been able to play a fucking instrument.”

“Maybe his lack of musical background is part of what makes him such a good manager,” Kerri said.
Mitchell gave her a sharp glance, like he’d had the same thought and hadn’t been able to justify believing it.

“You’re letting this get to you,” Kerri said. “You’re not responsible for your manager growing up poor.”
“No, now I’m responsible for him being fucking rich.”

“He’s every bit as responsible for you and your success. It goes both ways.”

Mitchell growled. Kerri bit back a smile; he hated it when she sounded like Trevor, pointing out the obvious.

“I’m still not making a benefit song,” he said, sneering the last word.

“Don’t. No matter what connection JR’s got to it, the benefit is still your baby. Besides, what did Daniel and Eric say?”

“No.”

“There you go. What are you so stressed about?”

Mitchell turned his back on Kerri and mumbled something that sounded like I feel responsible now.

She didn’t doubt that he did.