What? More about Populated??? AGAIN????

Well, first of all, this might be my favorite book of the three published so far. MIGHT BE. I’m not going to swear one way or the other. Maybe the Bird Will Rise and Safe House hold huge chunks of my heart, as well. Don’t miss either one.

Secondly, read on and you’ll see why it’s our feature picture of the day.

You see, when I decided to return to publishing, my thought wasn’t far off from what it had been when I started with the Trevolution books: I’d put them out and not think too much about it.

Except in the decade since I put the Trevolution books out, publishing got expensive, yo. And at the same time, it also got a hell of a lot more fun, although maybe that’s just because I’m in a better mental place.

It’s also allowed me to meet a lot of neat people, and to develop friendships. It’s been a gift (again, my life is a lot like Delia Ford’s, so grab Populated and you can see what I mean. Reach out directly if you want an autographed print copy.)

When I got an email from my friend Mary Walsh that she was going to be in town, turning the Other Shadyside Arts Festival into a book show with fine art, I told her I’d go hang with her for a few hours. Somehow, that turned into “Hey, meet me at seven and we’ll set up” and then that turned into “Hey, clear off a corner of the table and throw your books on it.”

Let me tell you, it was a ton of fun to learn about Mary’s books and handsell them to people we (usually me; I can extrovert pretty well, but it does take a toll) enticed to come under Mary’s tent. It was fun to people watch in a neighborhood I used to hang out in and drop a ton of money in, almost always on clothing. (Sigh. I miss those days, I say as I look down at my sweatshirt and joggers. Or maybe not; I’m comfy.)

Now, one thing among the authors on the book show circuit that I’ve noticed is that we tend to talk about the success of the day based on whether or not we earn out our table fees. And for this show, the fees were STEEP.

It took work. Not gonna lie.

But we did it! We earned back Mary’s table fee! And let me tell you, I’m a fan of her books, not just her, now. She’s got a unique vision and puts in the hard work to bring her fictional visions to life. I know a bunch of my friends would love her books.

So… what’s this got to do with Populated?

Well, see up above, where I say that on Sunday, Mary encouraged me to set up the three Sheep Farm books? Populated was the day’s hit and top seller. I shouldn’t have been surprised. People really respond to, “When someone breaks into the Woolslayer Gallery and steals ALL and ONLY the art by street photographer Delia Ford…” A lot of times, that’s all it takes.

I’m thrilled. I’m over the moon, really. As you know, I’m so proud of this project and these books. I believe in the message I’m putting out into the world with them — People are treasures too.

So grab some books.

And if you’re in the Pittsburgh area, keep an eye out for me. I’m hoping to pop up in odd places with an impromptu book show, with authors and books and books and books. You’re going to want to keep an eye out for me.

It’s finally happened. And so, it’s time to change the mindset of many many authors, readers, and publishing professionals.

For years and years — and remember, I put the first Demo Tapes anthology for sale in 2008, and this attitude pre-dates even that — the general wisdom was simple: self-published books didn’t have nearly the quality of books from the major publishers. Now, some of that referred directly to production quality, and that’s been fixed many years on now.

What’s lingered has been the stigma about the writing and editing.

No more, I say.

I’ve ranted here before about finding significant numbers of typos in books published by the big houses. I’ve ranted about bad writing.

It’s not only in self-published books anymore, boys and girls.

So no more. No more putting down the indie writers as a whole. A number of them won’t stand for excessive typos and lazy writing any more than you or I would. Many of them are my clients, but even more aren’t (simply because I can’t work for everyone. I’m only one person, after all!).

And a very very large number of them would be mortified if I nodded my head in agreement showed up in a book with their name on the cover.

That’s because I have yet to find another body part that you nod. Oh, a body can nod off to sleep, but that’s entirely different. And a character or a person can certainly nod to show they are paying attention, or nod to show interest, but it’s pretty widely assumed that a nod means assent of some sort — even assent that attention is being paid or that the subject at hand remains interesting. So there’s no need for that in agreement phrase that’s thrown in. The reader will assume it’s there unless they are specifically told why the nod isn’t one of agreement.

This falls into the “Shit!” he swore school of bad writing.

Come to think of it, I found that in a book from one of the big publishing houses, too. Recently.

So. Enough. Enough denigrating an entire publishing model — one that works for a number of authors and readers — based on a lack of polish that the other, more highly regarded (although more and more, I do not know why this is so) model increasingly unleashes on the public.

Stick to the books that are well written and well edited. Period. It no longer matters which publishing model you follow or who published the book in your hands.

A lot are good. A lot are bad.

Publisher simply doesn’t matter anymore.

One in an occasional series

I am one of those editors who likes to support my clients even if what they need help with is beyond the range of editing. Because of this, I’ve now started such services as offering help writing book descriptions, a While You Write service where you cough up cash and I’m available seven days a week for brainstorming plot wrinkles and other problems, and more. I’ve even brought some e-book formatters into the fold, but more about that another day.

The Book Description and While You Write services are available only to my editing clients.

One other thing I like to do is talk about your options for publication. A number of you like to explore your options, and that’s great. I’m totally supportive of that. And… a lot of you have found small presses who’ve been interested in publishing your books. Sometimes, that makes me sad because it means you’re moving on to a new editor (and when that editor’s not as good as me, well, double sad!) — but that sadness is also tempered with excitement for you. I want only the best for my clients.

But sometimes, you find yourself someone who is well intentioned but … maybe isn’t ready for a writer of my clients’ caliber (do I think highly of you guys, or what?). And you ask me about this publisher.

I came across one of these small presses the other day. When I find them, I crawl all over their website, looking for certain criteria:
1. Is the site well written? Seems like a silly thing to look for, but if a publisher’s website is riddled with grammar errors, what will your book look like? (and yes, I do wish I had the cojones to send them a letter, offering my non-fiction department’s services!)

2. What can you offer my author that s/he can’t do by him/herself? The latest was a publisher who said they were working on a relationship that would get them into brick-and-mortar stores. Sounds great, but … they weren’t there yet. What could they offer my client NOW?

3. What do they publish, and how does your book fit into their list? One publisher I came across had both erotic lit and a book about Jesus on their front page. I’d be surprised if people aren’t offended by that one!

There’s a reason niche publishers do well, folks: they break into one market and do it well.

4. What’s the background of the principals involved? Even if it’s not a publishing background, I’m sorry, but someone with an MFA in painting and a partner with a PhD in history just doesn’t make me confident that you know how to run a business — even though I’ve learned that running a business isn’t rocket science. But I want to see that you’ve got a clue what you’re doing before I’ll express confidence in your business.

(Before you ask about my lack of business background, I spent 2013 enrolled in a year-long business class and worked with a fabulous mentor. Like I said, running a business isn’t rocket science.)

5. How excited by your book is this publisher? I thought this was a no-brainer, but when a client forwarded a mail that said, “I skimmed your book and think it’d be a good fit…” I realized that the siren’s song of “it’d be a good fit” drowned out the red flag. This acquiring editor SKIMMED the book? The book he’s worked on for years and years? Sweat, blood, tears, marriage, friends, and an editor are all in that book and this acquiring editor admitted to SKIMMING it?

To paraphrase uber agent Janet Reid: You want someone behind your book who’s as passionate as you are.

Yes, we all want to have a publisher’s name behind us (okay, not all of us anymore!) but that doesn’t mean you shouldn’t let desire overrule your natural caution. I’ve seen too many small presses go under, heard too many stories about authors who have to go to court to have their rights reversed, seen what happens when expectations are crushed.

Don’t be that author.

But do be the author who is smart enough to reach out to people who can look past the emotional high of the offer and help you weigh your options with a clear mind. This is your business. It’s not rocket science, but that doesn’t mean you shouldn’t be smart in the choices you make.