As I look back at the Trevolution and the Demo Tapes short pieces in particular, all I can think is, “Yeah, Trevor played hookie. Again and again and again. It was part of his charm.”

I will never create a character like Trevor Wolff again. I just won’t. I’m too old now, too jaded, too… I don’t know what. Different.

Grab your own copy of The Complete Demo Tapes and compare it to the Tales from the Sheep Farm series and see what I mean.

editing

I finished off what I was working on in the morning, and right after I asked the kid if playing hookie and going on a pre-moving adventure was about to happen, I opened my new edit from an established client. Big mistake.

I was immediately sucked in.

And it felt SO GOOD.

Which is weird, because it’s not like I’ve been without editing work. Maybe it was the confluence of a familiar author’s voice and the job required of me… I don’t know. All I know is that pigs in mud, tigers in pools, and bison in dirt wallows had NOTHING on me right then.

And then I walked away from my desk and took my kid to buy plates, which yes, qualifies as playing hookie for a number of reasons. And let me tell you, the colors that kid chose are gorgeous. Where I’m a hot mess and one of absolutely everything, the kid was artistic and thoughtful.

writing

I got my words in, but it felt more like I was trying to figure out what I was trying to say, which isn’t like me, but is very much the way this project has been–and I started working on it a year ago, if not more! It’s been THAT hard.

But I have a plan for tonight, so that’s good.

Book of the Day

A Free Man of Color, by Barbara Hambly
Affiliate link, as almost always. And as absolutely always, any monies raised go to operational expenses here at West of Mars.

I’m at my desk today, unless the kid wants another pre-move adventure. (I kinda hope stuff will start to be sorted, but it’s on the kid and I know from experience to let it go and trust my kid’s process because it’ll all get done.)
Reminder to support me however you’d like: Buying Books of the Day via my affiliate link (I’ve got most of them in a list you can check out here.)
You can borrow my books via Hoopla or Libby or whatever ebook system your library uses (I get paid when you do!) — and remember to request them if they’re not there. Looking at you, certain Libby subscriptions and you, Hoopla, who only lists the first three Sheep Farm books.
If you have Kobo Plus (YAY!), I’m there, too. A lot of you like this option, and I am grateful!
You can buy my books, either in ebook or physical form. (Reminder that when you “buy” through the retailers, you’re buying a license to read the book, and they can yank it off your reader whenever they’d like. Buy direct from me if you’d like to actually own and control it.)
And, of course, you can fill my ko-fi, either as a straight-up donation or by paying what you’d like for either my Beta Reader’s Guide and/or my Writer’s Guide to Library Events.

If you too are playing hookie, I want to hear about your adventures!

Mid-month, I took a look at how the Smashwords Summer/Winter July sale was going for me. The results were interesting, so if you missed it, head on over and see how the month was shaping up.

Now that the month is over, I have even more fascinating facts to report.

First is that even though I have one new title out since last year’s sale, I sold eight fewer books. This is despite having two books for free that had never been free before, including Trevor’s Song.

Demo Tapes 1 and 3 tied for top seller. If you recall, mid-month, Trevor’s Song was tops. It actually came in fourth of my six books, trailed only by the standalone short story, Mannequin, and my non-free title, King Trevor.

Conventional wisdom holds that novels sell better than short stories, especially short story anthologies, and the Demo Tapes are, I think, marked pretty clearly that they are short stories. Not only are they short stories, they all appeared on The Meet and Greet in a less-edited fashion.

I don’t know. I don’t get it. Maybe the opening of Trevor’s Song is too rough for people; he’s too hard to like. Maybe you really do need that intro of the Demo Tapes to come back for the novel. I’m not sure. Maybe it’s that The Demo Tapes were more visible, since more people write novels than short stories. Maybe it was the phase of the moon, the severity of the sunspots, the colors of the Northern Lights…

In short, who knows? Only the people who bought the books know for sure what they were thinking, and even if they leave reviews, we may still never know what led them to their purchasing choices. We’ll only know what they thought of their reading experience — and so long as that experience is good, that’s ultimately all that matters. It’s those reviews that help power sales. We all know this.

Which means I’ll wrap up with a big thank you to the people who’ve joined the Trevolution for the first time; a lot of gratitude for the repeat offenders, so to speak; and a reminder to leave even a few words in a review. “I liked this because… but I didn’t like…” Fill in the blanks, folks. That’s all it takes, and us authors will be your fans for life.