Tag Archives: winner

#SaysTheEditor It’s December First!

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If you’re a writer, today, the first of December, means one of a few things:

1. Nothing special
2. Something special that has nothing to do with writing
3. A return to social media of a lot of writers you follow
4. A win
5. A loss

If it’s that last one, let’s talk about why it’s a loss.

Did you show up on November 1, intending to write 50,000 words last month? Are you kicking yourself for being a failure because you didn’t hit that 50k mark? Now that it’s December first, is all hope of winning gone?

Be kinder to yourself. You tried.

Yeah, sounds lame to me, too. So let’s talk about the REAL value of National Novel Writing Month — showing up to the page.

Kudos to you if you showed up for thirty days straight. Even if you wrote one word on a few of those days, you showed up. That’s what forms the basis of habits, and now that it’s December, just a generic month in the writing world, you shouldn’t stop. Keep that habit going.

Maybe you burned yourself out during November, struggling for those 50,000 words. You’re probably glad it’s December. If that’s the case, take some time off to recover and come back as soon as you can. Your fictional friends need you.

I remember when NaNo started and they’d tell you to go ahead and write garbage words, include stage directions for yourself – whatever it took to hit that 50,000-word mark. The intent was to show yourself what it would take to write a short novel.

But then NaNo changed, as everything does, and it became about being the month in which you’d draft a book you intended to publish. Hopefully you learned all about the art of revision.

Now, I think the value of NaNo is that it establishes (or RE-establishes) the habit. That practice of showing up every day, of staring at a blank page, of thinking about your characters, their struggles, their growth, the consequences they face.

And if you sat down on November 1, intending to write every day, but you found that because you’re a child, a parent, a friend, a lover, a boss, an employee, a coach, a mentor… a WHATEVER, you can only write on Mondays, Tuesdays, and Fridays… that’s great, too! Make sure you show up on those days. Sit down. Stare at the page. Write at least one word. Two’s better. Ten’s an improvement. So’s eleven.

You get the idea.

Just because it’s December doesn’t mean you need to stop writing for the next eleven months.

Winning, in terms of being a writer, isn’t getting 50,000 verified words written on a page. Winning is showing up and doing the hard work of writing. It’s making a habit of working on your craft.

That said, though, while December tends to be a slow month for editing projects for me, don’t send me your NaNo attempt this year if you haven’t revised it extensively yet. Always send your editor your best work, so that s/he (I!) can give you the best feedback possible. The idea is to get yourself as far along the path as you can, and then bring in the big guns.

Good editing ain’t cheap. Remember that.

But maintaining your writing schedule? Rolling through the bumps that invariably pop up, interrupting your sacred writing time?

That costs you nothing — but will pay off down the road.

Keep writing. THAT is what makes you a winner. Not some random word count that is, to be honest, short for a good novel.

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Trevor’s Song Won an Award

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Out of the blue came an e-mail.

“We had recently received
a nomination for your book, Trevor’s Song and have selected it as the
Indie Book of the Day Award winner for 24th of September 2012.”

I have no idea who nominated my book, two years after it came out. I’d like to know, only so I can say a huge thank you. While Trevor’s Song hasn’t sold more copies than Demo Tapes 1 (yet), it’s getting close, and it’s certainly my most consistent seller. As I type this, it’s once again my top seller of the month.

Best of all? Rocktober approaches, and you guys know that means I’ll be celebrating by putting the books on sale. All of ’em. Yes, even King Trevor — after all, don’t you NEED to know what happened to Trevor after he wound up in that heap on the stage? And, more importantly, what’s the secret Kerri’s been keeping from Mitchell????

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